![]() ![]() At a fundamental level, it may always struggle to comprehend humans. (While newly released image and music generators have wowed users with outputs that frequently go viral, the latest wave of chatbots have so far yielded no equivalent laugh-out-loud watershed moment.) While it has access to unfathomable knowledge, it can only leverage it to approximate life experience. These specialists contend that AI appears to face two essential challenges in creating comedy of high caliber. “Humor is highly contextual and situational, which makes it an extraordinarily difficult problem to solve,” explains Georgia Tech’s Mark Riedl. However, they believe that original, path-breaking comedy will likely remain out of the conceptual reach of such machinery, at least in the near term, because it’s such a singularly complex, quicksilver language. These experts, some of whom have been studying the questions surrounding funny robots for decades, observe that large language models can be taught to whip up passable formulaic material because the propagation of hack jokes relies on systematized pattern-recognition processes. “A robot can’t feel shame,” explained Harris Mayersohn ( Tha God’s Honest Truth With Charlamagne Tha God) on the first day of protesting outside of Netflix’s Hollywood headquarters. “It’s essential to being human and essential to being a writer.”įor the most part, scientists in the AI research field known as computational humor think the immediate worry is overblown. “ChatGPT Doesn’t Have Childhood Trauma,” read one sign at Radford Studio Center in the San Fernando Valley. Writers Guild members see AI as not just a looming threat but a clear and present danger, believing the business landscape will have inexorably changed by the next negotiation cycle in several years. It's Quiet, Too Quiet, in Hollywood: Where Are the Deals? The studios have rejected that plan, instead only offering to meet once a year to discuss issues presented by the insurgent technology. Machines wouldn’t be allowed to write or rewrite literary material, or to be used as a source, and union-covered output couldn’t be used to train AI models, either. A key sticking point in the broken-down contract negotiations between the WGA and the AMPTP, which bargains on behalf of studios, is a proposal to regulate the use of artificial intelligence. ![]() The wariness has intensified during the ongoing writers strike. “Any use of AI seems terrifying and also just unfair from a financial standpoint because it’s all being input with things that they’re not keeping track of,” referring to how the technology is trained on material without its creators’ consent. “It’s horrific,” Seth Rogen explained to The Hollywood Reporter at the May 10 premiere of Apple TV+’s show Platonic, in which he stars. Many comedy writers view AI as no laughing matter.
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